In this powerful and hopeful account, arts writer, curator, and activist Kimberly Drew reminds us that the art world has space not just for the elite, but for everyone.
Pocket Change Collective is a series of small books with big ideas from today's leading activists and artists. In this installment, arts writer and co-editor of Black Futures Kimberly Drew shows us that art and protest are inextricably linked. Drawing on her personal experience through art toward activism, Drew challenges us to create space for the change that we want to see in the world. Because there really is so much more space than we think.
About the Author
Kimberly Drew is a writer, curator, and activist. Drew received her B.A. from Smith College in Art History and African-American Studies. She first experienced the art world as an intern in the Director's Office of The Studio Museum in Harlem. Her time there inspired her to start the Tumblr blog Black Contemporary Art, sparking her interest in social media. Drew's writing has appeared in Vogue, Glamour, W, Teen Vogue, and Lenny Letter, and she has executed Instagram takeovers for Prada, The White House, and Instagram. Drew recently left her role as the Social Media Manager at The Met. Her upcoming book, Black Futures, which she is co-editing with Jenna Wortham, is due in 2020. You can follow her at @museummammy on Instagram and Twitter.
Ashley Lukashevsky is an illustrator and visual artist born and raised in Honolulu, Hawaii, currently based in Los Angeles. Ashley uses illustration and art as tools to strengthen social movements against systemic racism, sexism, and anti-immigrant policy. She aims to tear down these systems of oppression through first envisioning and drawing a world without them.
Ashley Lukashevsky is an illustrator and visual artist born and raised in Honolulu, Hawaii, currently based in Los Angeles. Ashley uses illustration and art as tools to strengthen social movements against systemic racism, sexism, and anti-immigrant policy. She aims to tear down these systems of oppression through first envisioning and drawing a world without them.
